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By: Rodney Ho | 2:25PM EST, May 15, 2008
Film! Broadway! An album! Books! An organic restaurant! Start a lupus charity foundation!
“I’m real goal oriented,” said Syesha Mercado. who is all about optimism. “I write them down and keep looking at them.” And as she noted, “I want to do everything!”
I noted to her that Paula Abdul twice Tuesday said she sang songs that didn’t define who she is. So I asked— who is she really as an artist? “I’m a mix of a lot of things. I think that’s why people say, ‘She’s Broadway!’ I’m like a black Christina Aguilera or Alicia Keys. I definitely see myself putting together a Christina Aguilera album like the one she recently did [which had Broadway elements in it.] I could do a ‘Diary of Alicia Keys.’ I like pop and I like R&B and I like old-school musicals. I’m growing into an artist and developing. I’m glad I did ‘American Idol.’ You were able to see the transition I went through. I’m still learning about myself every day… People will know who I am.” [As you can see, even she can’t define herself in 25 words or less, the way we can the two Davids or Brooke or Jason—her strength and weakness.]
For my folllowup question, I asked her to clarify her comments equating her own experience to the Civil Rights movement in relation to the Sam Cooke song “A Change is Gonna Come.” I wasn’t sure she was aware that it was a rather uneven comparison and thought she could give us some clarity. My interpetation: she says the song meant something different to her in terms of her own life vs. what the song meant to an entire generation, not that there should even be a comparison per se: “It’s a signature song for the Civil Rights movement. For me, it meant something different. It took on a completely different meaning. It came during a transitional time in history. This is a transitional time for me. For me, a change is gonna come.”
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By: Rodney Ho | 5:19PM EST, May 13, 2008
Here’s the holding spot for tonight’s “Idol” featuring the three contestants singing their own song, a producers’ pick and a judge’s pick.
Will Archuleta stumble without daddy whispering in his ear? Will Cook find enlightenment via Collective Soul? Will Syesha keep digging deep and prove us all wrong?
In the TV Guide interview, Archuleta defended his dad before Jeff’s banishment: “I’ve heard the weird things that people have been saying, and it’s kind of a bummer. My dad’s been great. He understands more than anyone what I want.” (Would you expect anything else from the Arch?)
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By: Rodney Ho | 7:50PM EST, May 12, 2008
While everyone is anticipating the long-awaited David vs. David finale, let’s give Syesha some due and weight each person’s strengths and weaknesses as we enter the home stretch of season seven:
David Cook
Four-word description: Daughtry, with more soul
Strengths: He brings growly sincerity and manly confidence to all his work. He can take a seemingly shallow pop song and shape it in a way that gives it a real depth. He’s comfortable on stage. And he doesn’t seem arrogant in an offputting way, like Daughtry did at times season five. Vocally, he seldom misses a note. He could be packaged quite successful in the rock-pop realm.
Weaknesses: He’s not the best-looking dude on earth and when he tried to pull off a Simon LeBon-like sexiness last week, it didn’t really work. And his fallback position is to ape that grunge-lite Nickelback sound, which can be a bit repetitive and tiresome in large doses.
Odds of winning: 3-2
David Archuleta
Three-word description: Donny Osmond redux
Strengths: He has a pliable, comforting voice that can warm the soul when properly engaged. He’s got puppy-dog good looks, appealing to 13 year olds and their moms. He can take on a ballad with surprising depth, especially if it has some sort of social message. He possesses a real heart. And he could do quite well in a Josh Grobin sort of way.
Weaknesses: He is only 17 and seems like he’s 13. His lack of maturity means it’s hard to predict where he’ll land in 10 or 20 years. He seems uncomfortable with anything with an edge and doesn’t seem to know how to apply himself on stage when it comes to moving more than two or three inches to his left or right. (Jordin Sparks had the same movement problem last year.) Guys don’t generally seem to find him all that interesting, but they aren’t the primary voters either.
Odds of winning 5-4
Syesha Mercado
Two-word description: Broadway bound
Strengths: She clearly has great acting ability, able to take on different genres with verve and a take-no-prisoners raison d’etre. Her vocals are always solid, if not distinctive or spectacular. She’s pretty, though not in an intimidating way.
Weaknesses: She always seems like she’s acting. If she has a “real” core to her, it’s sometimes hard to see. She is not a pure pop singer, lacking a top 40 sensibility.
Odds of winning: 20-1
I have to meet some friends for dinner but will add some extra “Idol” news later.
In the meantime, here’s MJ’s video of Jason Castro performing “Daydream” on “Ellen DeGeneres”:
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By: Rodney Ho | 12:43PM EST, May 10, 2008
I remember when Fox did this for Diana DeGarmo four years ago in Snellville. It’s a highly orchestrated hometown visit for the final three. Here’s a summary of their trips.
-Murray, Utah. greeted David Archuleta at his high school and at a mall, where 2,000 showed up. The governor named it “David Archuleta Day.” He sang the National Anthem at the NBA playoff game though ESPN wasn’t allowed to air it because of some sort of exclusivity deal with Fox. He apparently drew far more people to his mall A&T event than comparable events for Syesha or David Cook, which isn’t a surprise.
-Syesha Mercado hung out in Bradenton, Fla., doing a concert at the riverfront where she sang “Proud Mary,” visiting her elementary and high school (which is in Sarasota) and singing the anthem at a Rays game. This Tampa blogger captured the scene quite nicely.. She also attended Florida International University. This Miami Herald piece claims she’s the first Floridian to make the top 3, which I’m sure makes Vonzell Solomon (top 3, season four) feel great! The story noted that Randy Jackson wants her to sing Alicia Keys’ “I Ain’t Got You”on Tuesday as the judge’s choice. And yes, Manatee County proclaimed it “Syesha Mercado Day.”
-In Kansas City, David Cook sang “Living on a Prayer” and “Always Be My Baby” and later did the anthem for the Royals.
-And how about this for juicy gossip? TMZ is claiming David Archuleta’s dad Jeff was booted from the show for being a pain in the patootie. Apparently, he had insisted Archuleta add a line from Sean Kingston’s song “Beautiful Girls” into “Stand By Me,” which producers nixed. Archuleta did it anyway. It caused problems with the song’s publisher and cost “Idol” money, TMZ claims. Jeff has been nixed from the backstage although technically Archuleta is a minor and needs a guardian. I wonder how the legalities of this will play out and will Archuleta be better without his dad breathing down his neck while he rehearses with the band and vocal coach?
Simon Cowell generally hates precocious young teen singers, though he has been fairly kind to David Archuleta. But he told Extra that going younger may be the way to go, especially on a show that is losing younger viewers.
“All these shows, including Idol, in the future are going to have to go younger. We’re going to have to drop the age from 16 to 14 soon.”
Do you agree? I’m not too psyched about the idea. Younger kids don’t tend to know who they are yet and that can be a handicap.
-Today is the day each of the top 3 is getting the hometown treatment. I’ll post some of what happened over the weekend.
-Some fans of Jason Castro didn’t believe he said he wanted to go home to Entertainment Weekly. Well, he admit he said it to her in a follow up interview. and he was just frustrated at the time.
In today’s press conference, Jason Castro proved he could say full sentences and denied he was tanking on purpose.
He also said the yawning he did on camera was not an indication of ennui toward the show, that people who noticed thought it was funny. “I am a chronic yawner,” he said.
I asked him specifically if he said “Don’t vote” Tuesday night.
“I was trying to emphasize ‘Vote,’ ” by saying it twice, he said. “Nobody heard me. I sat down and was thinking about it. It had the same syllable. [Don’t and vote.] [The second time,] I consciously went and said ‘vote’ once.”
On Simon saying he forgot his words on purpose. “I did not do that on purpose. I can’t believe I forgot such a popular line [during ‘Mr. Tambourine Man.’] THat’s writtong on your soul. It somehow slipped my mind.”
Insisting he wanted to win: “I still wanted to win. I think it came down to my inexperience. Once we doubled on songs, I couldn’t focus. My mind was just split. I couldn’t deliver either [song.]” Later he added. “I was doing my best.” He said when he said he wanted out to “Entertainment Weekly” a couple weeks ago, “A lot was going on that morning. I don’t know. That kind of came across wrong. People were kind of thinking I didn’t want to be there. That was never my mindset.”
How much experience does he have: “I started playing guitar freshman year and singing soon after. I’d learn songs but never all the way through. So trying to do two was tough.” [Longest set he’s ever done: 30 minutes.]
Songs he couldn’t get cleared: As we know, he said “Crazy” by Gnarls Barkley didn’t get aired because Danger Mouse nixed clearance after he had already performed it. He also almost got “Santeria” by Sublime cleared, then it wasn’t.
Why so mellow? “I’m grounded. Nothing comes as a surprise to me, but, um, I don’t know. I am like that. I’m not always so calm. I am kind of goofy. Some don’t see my hyperness. I still have fun. I am pretty relaxed about everything.”
Doing two songs: “I was losing that power. I couldn’t connect with the songs in the given time. I wasn’t committed to either one. I couldn’t fall in love with them.”
HIs speaking skills: “I’m an awkward conversationalist. I’m trying my best now! What you see is what you get. I didn’t change at all coming here.”
HIs singing and performance skills: “I’m as raw as it gets.”
On Paula’s snafu last week: “That was kind of funny. I was confused… I don’t think it affected my performance [of his second song.]”
Was he relieved by his departure: “It was my natural reaction. I felt relieved. The pressure was off. I loved my time on there. I would have liked to have gone farther.”
Watching “Idol” in past years: He vaguely remembers watching it one season in college.
On Jeff Buckley’s “Hallelujah” doing so well after he sang it: “I realized the power of ‘American Idol.’ It was such an honor. Cool. People hadn’t heard it. Now they have.”
What he wanted to sing next week: “Blue Eyes” by the Carey Brothers, from the “Garden State” soundtrack. (see below)
-Jon Peter Lewis from season three is going to be on “Good Day Atlanta” on WAGA-TV next Thursday, May 15. I can’t say he was going to be a star, but he seemed like a nice pen salesman. I’m not sure if he’s selling pens right now but that was Simon’s prediction for him.
-Q100 had Randy Jackson, Kat McPhee and Elliott Yamin on the phone this morning at the same time. McPhee said she was thinking of throwing in the towel earliy on and both said the show was extremely stressful. She felt she got worse as she went along. McPhee had Kellie Pickler at her wedding. Randy placed Kat and Elliott on his album. The trio are promoting the song “Real Love.”
-Phil Stacey’s self-titled new album opened at No. 43 with 13,000 copies sold, which is about what I would have expected. That’s comparable to Josh Gracin’s second CD, which opened a few weeks ago at 18,000. Stacey’s single “If You Didn’t Love Me” is at No. 28 on the country charts in its 15th week while Gracin’s “We Weren’t Crazy” is at No. 22 in its 29th week, according to Radio & Records. Last year, Bucky sold 61K in his first week.
-Jordin Sparks passed Taylor Hicks with 19K more sold and has 717K total. She’s now the fifth highest selling “Idol” winner, only behind Taylor. She’s now selling far more downloads—more than 3 million. Daughtry is at 4.02 million with 17K more sold. Carrie’s latest is at 2.06 mil with 14K sold while “Some Hearts” moves another 9K and is at 6.4 mil. These numbers all courtesy of Idol Chatter.
-For Clay Aiken’s “On My Way Here,” first-week sales, as projected by Hits Daily Double,, based on first-day sales is 80,000 to 85,000. That’s down from 205,000 for his last release “A Thousand Different Ways” in 2006, 270,000 for his Christmas CD in 2004 and 612,000 copies of his very first CD right after he came in second to Ruben Studdard in 2003.
And according to Georgia Claymate prez, Jenna McBride, this is what I missed Monday night at Manuel’s while I was trying to find my camera (to no avail):
*We had about 25 or so there last night. Most of the Georgia Claymates were in NYC for Clay’s last performance in Spamalot and some stayed over to attend the NYC CD Release Party and some stayed over for the CD signing today at Virgin Megastore in NYC. We had two girls who had literally just flown in for the party last night and came straight from the airport. It was an awesome party. And we especially enjoyed having my friend Jason there who came and played and sang. I think that Jason said that he knows you. His name is Jason Bowen. He is a singer/song writer for Sony/AVT or ATV (one or the other). Sony has changed so many names recently with so many different departments it’s hard to keep up.
Jason has been writing songs for Sony for about 12 years and he just happens to be friends also with Ryan Tedder, the guy who wrote the lead song on Clay’s new CD, “On My Way Here”. Of course Jason sang it for us last night and did a magnificent
job. He and Ryan have co-written songs before and he sang one of them last night also. It was awesome too. And another song that he sang last night was one that he wrote that Sony has sent to Kelly Clarkson for consideration. Jason also sang a couple of other songs that Clay has recorded. Hopefully Jason will be able to write some for Clay some day and since their voices and style are somewhat similar, I would love it if he could sing backup for Clay also. Jason has toured with Barry Manilow as a backup singer.
Here are a couple of reviews for the new Clay Aiken CD:
The music Aiken’s writers matched to such hoary bromides continues the singer’s established love for the kind of power ballads that died in the mid-’80s. In this world, the band Mr. Mister still rules; Rick Springfield remains a pop player.
At least such warm-milk pop suits Aiken’s creamy tone. More than ever, he sounds like Boy George, only not so butch.
As much as his record company would want him to be, Aiken isn’t a crossover pop star. He’s a male Celine Dion, a nerdier Michael Bublé, a new-millennium Barry Manilow, and there’s nothing wrong with that. The sooner he embraces that, the better his albums will sound. With “On the Way Here,” he’s not quite there.
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By: Rodney Ho | 12:38PM EST, May 7, 2008
Here’s the holding spot for tonight’s elimination show. We’ll be seeing Bo Bice and Maroon 5.
Some folks think Jason Castro last night was mouthing the words “Don’t vote!” to the camera as Ryan Seacrest was giving out the numbers. I was typing frantically at the time and as usual, not watching. Some think he simply repeated the word “Vote!” Hard to tell. Go to 4:12 or so:
Then again, it’s a moot point. He’s going home. Right? Right? We do not want a Daughtry or Tamyra tonight.
In other “Idol” news:
-Ace Young and Brandon Rogers are making cameos on Bones next Monday May 12 during a singing contest, in which Brennan takes part and sings “Girls Just Want to Have Fun.”
-Clay fans are having a field day cos he’s popping up on all the talk shows. Here he is on Good Morning America, thanks to the amazing MJ on MJs’ blog:
This is the holding spot for the top 4 performance show.
And I’d like to apologize to the Claymate folks for not making it to the CD release party. The problem: I lost my camera. I arrived at Manuel’s Tavern at about 10 p.m. yesterday and realized my camera had disappeared sometime between work, playing tennis and Manuel’s. I went back to work to try to find it but alas, it was gone. I suspect I dropped it while placing my laptop in my trunk at a parking lot downtown. And I stupidly left no contact info in the camera bag for even an honest person to figure out. So some lucky schmo has my camera and I have to go buy another one.
Anyway, Clay’s CD “On My Way Here” is out today. And so is Chris Sligh’s “Running Back To You.”
I left a message with Jenn McBride, the organizer of the Claymate party and will update to see how it went.
In other “Idol” news:
-MJ’s Big Blog has Michael Johns and Carly Smithson dueting “One Love” on the Ellen DeGeneres Show. It’s kind of a strange take. Not nearly as good as Bono dueting with Mary J. Blige.
-CMT’s “Gone Country” was renewed and inevitably, another “Idol” finalist is in: season four contestant with the really strange pronunciation skills Mikalah Gordon. I know, I know. I can’t see it either. The others competing: Sebastian Bach (Skid Row), Lorenzo Lamas (yes, “Grease”), Irene Cara (“Fame,” “Flashdance”), Chris Kirkpatrick (N Sync), Jermaine Jackson (yes, he is a Jackson), and Sean Young (actress, “No Way Out”). Sounds like a fun crew but I don’t see any of them becoming country stars. It’s in production now and set to premiere in August.
Kellie Pickler did graduate high school. (Really!) But she readily admits: “I’m no role model.”
Dr. Kellie Pickler or attorney Kellie Pickler doesn’t quite sound as apropos as country singer Kellie Pickler. And she’s built an impressive fan base especially at Etowah High School in Woodstock.
And for kicks, Kicks 101.5 and her record label at Sony BMG took an idea that worked in Philadelphia: kids from the high school who sent the most text messages gets a free concert from said Pickler.
Etowah High School principal Ron Dunnavant heard from his brother that Etowah a few weeks back was in third place in the contest. So he went on the P.A. system that Monday and told kids to push them to No. 1 as a way to celebrate a great year in which Etowah was named a “School of Excellence” by the state, one of only four this year.
His students did not disappoint. They ended up texting more than 500,000 times, averaged out to 227 per student. Junior Cole Arnold, a Pickler fan, contributed 120,000 all by himself by hooking his phone up to automated text messaging software for an entire week. Overall, metro Atlantans sent a whopping 2 millon texts.
“It’s like American Idol all over again!” she said.
Originally set up as an acoustic set in the gym, the label was so impressed by the response, they drove from Nashville an entire band and set the concert up in the football field for 4,000 Etowah middle and high school students.
With a sea of posters (including one “I love Kellie like a stalker” and another shaped like a pickle with her head on it), she sang for 40 minutes, including a couple of new tunes and she even teared up after “I Wonder.” “I feel like I’m singing to my peers,” said Kellie, who graduated in 2004. The cheerleaders presented her an Etowah Eagles football jersey, a megaphone with her name emblazoned on it, plus a yearbook signed by hundreds of students.
Pickler has been running almost nonstop for two years. The sixth place “Idol” finisher was the first one out of the box with a CD before anybody else from the Class of 2006. After the show and the tour, she began promoting her album with a radio tour that led her to a Douglasville mall. She generated three top 20 hits over the next 18 months with almost nonstop touring, including stints opening for Brad Paisley and Rascal Flatts. She has sold more than 740,000 albums, more than Taylor Hicks and all the other Class of ‘06ers except Daughtry.
I saw a headline on mjsbigblog about 11 major “Idol” cliches culled from seven seasons.
I decided not to read their cliches and see if I can come up with 11 myself. Feel free to add your own. These are off the top of my head and not in any order:
1-Ryan’s dramatic cold open, with the camera panning each contestant and him saying, “THIS…is… American Idol!”
2-Splitting the final seven into two groups and forcing the seventh to make a decision which one is the eliminated group. They’ve done it at least four years in a row.
3-Simon’s tight black shirts & his fake “sorry” apology when he’s saying something negative and the crowd is booing.
4-Cameras closing in on any surviving contestant crying after someone is eliminated. And if the contestant is crying, the others come on stage to join the person and console him or her (usually her.)
5-Paula’s halting, grammatically challenged, “Up With People” commentary.
6-Dawg, these cliches are hot! They’re da bomb!
7-Starting a ballad by sitting on the steps and gazing into the camera in close up, before pulling back, standing up and doing the “big” note standing up.
8-During auditions, those painfully stupid montages in which they have everybody sing the same song and do it badly.
9-The opening of the audition door and the contestant flashing the yellow piece of paper as relatives and friends leap and jump as if they’ve won the lottery, often with Ryan as collateral damage.
10-The endless archetypes during audition rounds—the country rube, the arrogant woman who talks back to the judges, the dork, the comatose dude, the military person, the gal whose relative just died, the man whose wife is about to have a baby, the little person with the big voice, the ebullient big dude.
11-The mentor enters a room with the contestants and they do a group sing of one of his/her famous songs. Then the mentors hugs the contestants, who express awe.
Those Clay Aiken fans have been waiting for this since I’ve been teasing it. But his first album of originals since 2003, “On My Way Here” comes out Tuesday. (The Claymate crew will be at Manuel’s Tavern, 602 N. HIghland Ave., Atlanta, at 8;30 p.m. Monday for an album release party.)
Clay is definitely the gabby sort. I had a lengthy list of questions to ask him for my 15 minutes, including several from Clay fans I solicited. But I only got in a handful of my own before the publicist said time was up. We spoke on April 23, a couple of weeks before his final “Spamalot” show on Broadway, which is Sunday.
What’s the coolest part about doing “Spamalot”?
This deal was for 18 weeks. I really thought I was going to hate it by now. [He then compared it to school and how the third quarter is such a drag.] I’m in the third quarter. And I’m not miserable! I’m not! I’m enjoying it. This show is funny. It’s a little different every night. It’s always fresh. At the same time, the people I work with are unreal… I was worried they’d hate me. I came off a reality show! I didn’t pay my dues. i didn’t have to audition. But they’ve been warm and inviting. I’ve been thrilled. I’m not going to say I’ll shed a tear, but I’ll miss it a little bit. I’ll miss the people. I’ve made friends I’ll have for a long time.
What was the toughest part of doing Broadway?
Everything has to be precise. You can’t change anything. But the hardest thing for me the first few weeks was not looking into the audience. I’m so used to playing for the audience and looking at them. At concerts, you have a spotlight on you so you can only see the first two rows. In this show, you can see the first 15 to 20 rows. And for me, it takes energy to be another person. I think I’ve gotten it down.
But it was some work to be able to do that. The reason we did this show versus other because it was work. Most other shows were about singing, no dancing, less acdting. This one was so far out in left field. I had to learn a British accent! It took some training to go from a Southern redneck to proper British!
So do you sing much at all?
It’s comedic. The song that I do is actually a patter song. It’s spoken though they changed it in a couple of places so I sing some notes and do my thing. Still, it was a challenge to do. That’s why we chose it. I wanted to expand myself, something people wouldn’t expect. Maybe that’s why I’m not bored. It’s so different!
I saw you at Chastain last summer and yes, you interacted with the crowd a lot.
I’m constantly doing that. I stop the show to talk to people.
I remember you commenting a lot about the bugs flying around.
Forget bugs. In Asheville. N.C., we had bats! Those are rodents with wings! And the moths were so big, one flew down the tops of one of my background singers. We had a bit of fun with that!
Why has it been so long since you did a full album of originals?
The record label latched on to me doing a Christmas album. It kind of made sense. It worked beautifully for whatever reason. The truth is, we ain’t radio people. Clay Aiken and the radio don’t happen as easily as Kelly Clarkson or Chris Daughtry. They wanted me to do an album with songs they could sell on TV. Radio is like an advertisement for your album. They thought they could sell Clay Aiken songs for commercials. So I did mostly covers. It ended up being a product I liked quite a bit though there was some resistance from the fans. They call me the next Barry Manilow but at least he has his own music. I wanted stuff that was mine whether it gets played on the radio or not. We went at this saying, that’s not a priority. I don’t want to think about doing radio friendly songs.
Look-I’m not top 40. I’m not cool enough to be on there. If you walk into a nightclub and they put on Clay Aiken music, I hope they’ll run out.
How about soft rock stations?
The “lite” stations? We might have a shot there. We are trying to do AC [adult contemporary] stations. I spent five years trying to be a politician. That’s stupid. We obviously have sold enough, I’m able to be comfortable to do what we want to do. We’re fortunate to have people come to concerts without airplay. Let’s do what feels right. That’s really all that matters.
Do you think your first single “On My Way Here” can do well on radio?
The label thinks so. We never tired to find a single. We used to try to do that. We tried and tried. Nothing worked. We do things that are good for me, that sounds believable. If you saw the show the last time, I did a bit of “Sexyback.” It was totally a joke, totally tongue in cheek. If I tried to sing those songs sincerely and put it on the radio, that’d be a caricature. I know that. Give me a cool song. I start singing it, it’s not cool anymore.
What’s different about this vs. your first album?
I used to not care about lyrics. I could have sung about watermelons as long as it’s pretty. This is the first time we looked at lyrics. I wanted every single song to connect with me lyrically. Some of them are songs that don’t necessarily connect with me directly but a majority of people will experience.
We produced a very diverse sounding album. If some of these songs were sung by someone else, they might end up on Q100… Lyrically, it’s all connected.
I have time for one more question. I just saw you on ‘American Idol Rewind,’ the week you did “Grease” in that red leather jacket. Good memory or bad?
[He laughed.] That’s the one week I’ve wiped out of my memory completely! I remembered “To Love Somebody.” That was great! The truth is, the little hip thing I did. [He did a hip thrust during “Grease.”]. That’s a really good connection about what we were just talking about. That was not cool.
About the jacket - we always went shopping with a stylist and we had a budget. We can spend so much money each week. I wanted to wear stuff that looked good but not too edgy. I’m not edgy. You can’t make me look like Justin Timberlake. The stylist kept pushing me. That week, I gave in. I bought this red leather jacket. I had never spent money on clothes. I was really cheap. So I had some money stored. I spent $2,000 on that jacket and wore it. It didn’t work.
In other “Idol” news:
-The Tuesday episode, at 25.1 million, was only 6 percent lower than last year. But the results show, at 22.8 million, showed the biggest discrepancy of the season to a comparable episode at 28.8 million a year ago, when Phil Stacey and Chris Richardson were eliminated in the first double elimination since the first season. That’s 21 percent lower than a year earlier. Most years, the results show is about 10 percent lower in ratings than the performance show. That’s kind of understandable. The results show is 55 minutes filler. But last year for reasons I wasn’t ever able to fathom, the results show did better than the performance show most weeks.
-Barack Obama read the top 10 list last night on “The Late Show With David Letterman,’ which were surprising facts about Barack Obama. No. 2? “This has nothing to do with the Top Ten, but what the heck is up with Paula Abdul?”
”I’ve had people going into fetal positions over song choice,” says vocal coach Debra Byrd. ”The judges say song choice, song choice, song choice constantly, so they’re in agony all week over it.”
The article’s take on Archuleta: his dad is indeed heavily involved. Brooke won the tiebreaker pick-a-name-out-of-a-hat for “I’m a Believer.” They couldn’t condense “Holly Holy” properly to 90 seconds. He got rid of songs with inappropriate lyrics for him and settled on “Sweet Caroline” and the cleverly patriotic pick “America.”
Jason had a brother and friend visit, taking time away from practicing. And when he met with Neil Diamond, as we saw on screen, he didn’t know the song well enough to get constructive criticism. “I’m kind of ready to go home,” Castro said. We could tell!
Syesha struggles over song choice. It’s interesting to read how she agonizes over the choices. Simon says she’s very Broadway. We knew that, too!
When Cook picked “All I Really Need is You,” Byrd said it’s boring but he thought it had a “November Rain” feel to it. Diamond liked him. Simon says “I’d like him to win it.”
Finally, Brooke is having a tough time because songs are either about women or alcohol. She picked “I’m a Believer” over Archuleta in the hat and was still doubtful about it at first though she eventually came around on it, even after Simon dubbed it a “nightmare.”
Here’s the holding spot for the Brooke White press conference, which is scheduled for 12:30 p.m. EST.
-[Kellie Pickler will pop into Etowah High School Monday for a private concert, (http://www.accessatlanta.com/music/content/music/stories/2008/05/01/pickler_0502.html) Kicks 101.5 held a contest asking for students at metro area schools to text message their school and her name. In the end, they got more than 2 million texts!
-Sales were slow this week as Jordin Sparks remains the top-selling “Idol’ at No. 20, with 19K sold and 697K total. She will surpass Taylor Hicks (at 701K) this week; in fact, she should be ahead of him in sales now. And she is nearing 3 million in download sales of three singles. Plus, Chris Daughtry has just passed 4 million sold, according to USA Today’s Idol Chatter.. Carrie’s “Carnvial Ride” is at 32, with 15K sold and 2.04 million total while “Some Hearts” moves up to 65, with 8K sold and 6.39 million total. Josh Gracin is the other “Idol” on the Billboard Top 200, at 175, with 3,500 or so sold and 34K total after three weeks. Kellie is at 751K, Kelly’s “Breakaway” at 5.98 mil with two months away from hitting 6 mil; “My December” is at 763K, Bucky is at 339K, Elliot at 506K, Randy at 28K, Bo at 49K, Mandisa, 78K; Fantasia, 512K; Kimberley, 20K; Clay, 525K; Kat, 370K; Ruben, 237K and Constantine, 25K. Paris is being “retired” after several weeks of selling fewer than 100 copies a week and will be placed at 21K total.
