A literary hoax is explained — sort of



JT LeRoy became a literary sensation overnight in the early 2000s. His rapturously received writing drew from his well-publicized backstory: Jeremiah “Terminator” LeRoy was the HIV-positive teenage son of a truck stop prostitute, but he emerged from the unthinkable — sexual abuse, addiction and homelessness — to write stunning prose.

The only problem: None of it was true. LeRoy was the invention of Laura Albert, a San Francisco woman, who was outed in 2005 by a New York Magazine article.

With the documentary “Author: The JT LeRoy Story,” we’re finally getting to the bottom of what happened. Sort of. Actually, we get Albert’s side of the story, and that’s clearly problematic. How much faith should we put in the account of someone who tells such massive whoppers?

That question constantly hovers over Jeff Feuerzeig’s documentary, which is by turns fascinating and unseemly. Albert, now 50, unapologetically explains how she created JT as an avatar to expel some of her darker emotions. But we also hear from the celebrities who fawned over him: people like Smashing Pumpkins singer Billy Corgan, Courtney Love, and actress Asia Argento, whose recorded phone conversations with JT feature prominently in the film. Argento, among others, has said she had no idea she was being recorded.

As Albert tells it, she invented “Terminator” when she was a suicidal 20-something and started calling teen crisis lines. She could never speak for herself, she explains, so she affected a Southern accent and let her troubled teen alter ego do the talking. It was a therapist from one of those calls who suggested she write down her feelings.

After a few cold calls to writers, such as Dennis Cooper and Bruce Benderson, JT landed a book contract, and suddenly Albert had to find someone to pose as her invented author for interviews and book readings. Savannah Knoop, the sister of Albert’s longtime boyfriend, wearing a wig and glasses, looked just androgynous enough to be JT. Then Albert posed as Speedie, JT’s British hanger-on. Pretty soon the pair were chatting with Bono backstage at a U2 concert, posing for photos at Cannes and getting kissed by Winona Ryder on a red carpet.

The movie has some nice flourishes, including animated drawings that add visual interest to the narration. But much of the movie is just Albert explaining how a lifetime of feeling like an overweight misfit led her here. By the time she gets to her big reveal — the awful abuse that is meant to explain away her web of deceit — it’s hard to know what to feel. No one wants to blame the victim. Then again, who wants to be duped again by this woman?

Maybe not, but that won’t alleviate the icky feeling that comes with learning more about Albert’s deeds. If the movie seeks to get us any closer to the truth, its success is debatable. We certainly get closer to Albert’s truth, but do we really want her to have the final word?



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