Documentary juxtaposes music, politics


“Two Trains Runnin’,” Sam Pollard’s compact, resonant documentary — part essay film, part road picture, part musical anthology — is built around an astonishing historical coincidence. On June 21, 1964, two lost giants of the Delta blues, Skip James and Son House, were found by separate crews of obsessed music fans after weeks of amateur sleuthing along the back roads of Mississippi. James and House had each made a handful of recordings in the ’30s and ’40s, and then faded into obscurity until the folk revival of the early ‘60s piqued the interest of students and coffeehouse guitar pickers in the college towns of the North.

One car, captained by the guitarist John Fahey, set out from Berkeley, California, in search of Son House. Another left Cambridge, Massachusetts, following a wisp of a clue about where Skip James might be. At the same time, other, larger groups of students were preparing to travel to Mississippi for reasons having little to do with music. They were part of Freedom Summer, a campaign organized mainly by the Student Non-Violent Coordinating Committee, to register black voters in the state. On June 21, three of those activists — James Chaney, Michael Schwerner and Andrew Goodman — disappeared near Philadelphia, Mississippi. They were killed by the Ku Klux Klan.

With deep historical knowledge and nimble storytelling techniques, Pollard explores how idealism, horrific brutality and artistic genius converged in a single historical moment. Interviews with survivors, eyewitnesses, scholars and musicians are complemented with archival material, animation (which is fast becoming a staple of modern documentary filmmaking) and the retrospective thoughts of critics, journalists and musicians. Some of these are a little distracting. It’s nice to hear Lucinda Williams, Gary Clark Jr. and others testify to (and demonstrate) the enduring influence of James and House, but it’s infinitely more valuable to hear the men themselves.

The juxtaposition of music and politics — the retelling of a familiar story from the civil rights era in a slightly new key — sheds light on both the music and the movement. The voice-over narration (read by the rapper and actor Common) braids apparently disparate threads into a single tale.

There is great warmth and generosity in the way “Two Trains Runnin’” acknowledges the role of white blues fans and civil rights workers, many of whom risked comfort and safety in the cause of black equality. But Pollard, an Academy Award-winning director, producer and editorwhose filmography includes the PBS civil rights documentary “Eyes on the Prize” and many collaborations with Spike Lee, is not telling a feel-good story about injustices overcome and careers reborn.

The song that gives the film its title (one it shares with a play by August Wilson) characteristically mixes hope and fatalism in uncertain proportions. One train leaves at midnight, the other at the break of day. Like many blues lyrics, this one is open to endless interpretation, but in the context of this movie — the past it evokes and the moment at which it arrives — it sounds like both an affirmation and a warning. Human history may bend toward the light, but it also passes through long periods of darkness. Hard-won rights can be taken away. Progress can be rolled back. Long-forgotten songs can be remembered, but the opposite can also happen. This captivating movie, like the blues itself, is at once a recognition of those somber truths and a gesture of protest against them.

MOVIE REVIEW

“Two Trains Runnin’”

Starring Common, Lucinda Williams and Gary Clark Jr. Directed by Samuel D. Pollard.

Unrated. At Landmark’s Midtown Art. 1 hour, 22 minutes.

Bottom line: A captivating documentary recognizing truths and protesting them



Reader Comments ...


Next Up in Living

Jesse Jackson says he has been diagnosed with Parkinson's disease
Jesse Jackson says he has been diagnosed with Parkinson's disease

The Rev. Jesse Jackson, the civil rights leader and former presidential candidate, announced Friday that he has Parkinson's disease. Jackson, 76, said he had found it "increasingly difficult to perform routine tasks" and get around in recent years. After initially resisting due to his work, Jackson said, he relented and sought medical testing...
Atlanta Concert Tickets on sale this week: Chris Tomlin, Tim McGraw and Faith Hill, U2

BY SARIA CANADAY, AJC Music Scene blog If you find a mistake in Hot Tickets, please let us know. Contact Saria Canady at  scanady@ajc.com. Events are subject to change, so it’s a good idea to call the venue before driving a long distance. Follow us on  Twitter. ON SALE NOV. 17 ATL Collective presents Funky Christmas...
Anthony Bourdain says you’re doing Thanksgiving wrong
Anthony Bourdain says you’re doing Thanksgiving wrong

If there’s one meal at which family drama is on full display, it’s Thanksgiving. Expectations and emotions run high, and there are a lot of moving parts to cause friction. Even Anthony Bourdain, who is seemingly immune to the criticism of others, feels the pressure to pull off the most anticipated meal of the year. In fact, he dedicated...
Atlanta Concerts this week: Randy Newman, John Prine, The Shins
Atlanta Concerts this week: Randy Newman, John Prine, The Shins

Randy Newman will plays selections from his his new album “Dark Matter,” and other favorites. Photo: Pamela Springsteen BY MELISSA RUGGIERI/AJC Music Scene FRIDAY Randy Newman The delightfully wry songwriter released “Dark Matter,” his first album in nearly a decade , this summer and...
Sharon Jones’ final album released; Dap-Kings to perform on Jimmy Fallon in her honor
Sharon Jones’ final album released; Dap-Kings to perform on Jimmy Fallon in her honor

  Almost exactly a year to the day of her death , Sharon Jones’ voice is being heard again. “Soul of a Woman,” the final studio album from Sharon Jones & the Dap-Kings, is available today on Daptone Records. The 11-track collection was recorded before Jones’ passing from pancreatic cancer...
More Stories